Scary Books: Black Spirits And White
Across the valley of the Oreto from Monreale, on the slopes of the
mountains just above the little village of Parco, lies the old convent
of Sta. Catarina. From the cloister terrace at Monreale you can see its
pale walls and the slim campanile of its chapel rising from the crowded
citron and mulberry orchards that flourish, rank and wild, no longer
cared for by pious and loving hands. From the rough road that climbs the
mountains to Assunto, the convent is invisible, a gnarled and ragged
olive grove intervening, and a spur of cliffs as well, while from
Palermo one sees only the speck of white, flashing in the sun,
indistinguishable from the many similar gleams of desert monastery or
Partly because of this seclusion, partly by reason of its extreme
beauty, partly, it may be, because the present owners are more than
charming and gracious in their pressing hospitality, Sta. Catarina seems
to preserve an element of the poetic, almost magical; and as I drove
with the Cavaliere Valguanera one evening in March out of Palermo, along
the garden valley of the Oreto, then up the mountain side where the warm
light of the spring sunset swept across from Monreale, lying golden and
mellow on the luxuriant growth of figs, and olives, and orange-trees,
and fantastic cacti, and so up to where the path of the convent swung
off to the right round a dizzy point of cliff that reached out gaunt and
gray from the olives below,--as I drove thus in the balmy air, and saw
of a sudden a vision of creamy walls and orange roofs, draped in
fantastic festoons of roses, with a single curving palm-tree stuck black
and feathery against the gold sunset, it is hardly to be wondered at
that I should slip into a mood of visionary enjoyment, looking for a
time on the whole thing as the misty phantasm of a summer dream.
The Cavaliere had introduced himself to us,--Tom Rendel and me,--one
morning soon after we reached Palermo, when, in the first bewilderment
of architects in this paradise of art and color, we were working nobly
at our sketches in that dream of delight, the Capella Palatina. He was
himself an amateur archaeologist, he told us, and passionately devoted to
his island; so he felt impelled to speak to any one whom he saw
appreciating the almost--and in a way fortunately--unknown beauties of
Palermo. In a little time we were fully acquainted, and talking like the
oldest friends. Of course he knew acquaintances of Rendel's,--some one
always does: this time they were officers on the tubby U. S. S.
"Quinebaug," that, during the summer of 1888, was trying to uphold the
maritime honor of the United States in European waters. Luckily for us,
one of the officers was a kind of cousin of Rendel's, and came from
Baltimore as well, so, as he had visited at the Cavaliere's place, we
were soon invited to do the same. It was in this way that, with the luck
that attends Rendel wherever he goes, we came to see something of
domestic life in Italy, and that I found myself involved in another of
those adventures for which I naturally sought so little.
I wonder if there is any other place in Sicily so faultless as Sta.
Catarina? Taormina is a paradise, an epitome of all that is beautiful in
Italy,--Venice excepted. Girgenti is a solemn epic, with its golden
temples between the sea and hills. Cefalu is wild and strange, and
Monreale a vision out of a fairy tale; but Sta. Catarina!--
Fancy a convent of creamy stone and rose-red brick perched on a ledge of
rock midway between earth and heaven, the cliff falling almost sheer to
the valley two hundred feet and more, the mountain rising behind
straight towards the sky; all the rocks covered with cactus and dwarf
fig-trees, the convent draped in smothering roses, and in front a
terrace with a fountain in the midst; and then--nothing--between you and
the sapphire sea, six miles away. Below stretches the Eden valley, the
Concha d'Oro, gold-green fig orchards alternating with smoke-blue
olives, the mountains rising on either hand and sinking undulously away
towards the bay where, like a magic city of ivory and nacre, Palermo
lies guarded by the twin mountains, Monte Pellegrino and Capo Zafferano,
arid rocks like dull amethysts, rose in sunlight, violet in shadow:
lions couchant, guarding the sleeping town.
Seen as we saw it for the first time that hot evening in March, with the
golden lambent light pouring down through the valley, making it in
verity a "shell of gold," sitting in Indian chairs on the terrace, with
the perfume of roses and jasmines all around us, the valley of the
Oreto, Palermo, Sta. Catarina, Monreale,--all were but parts of a dreamy
vision, like the heavenly city of Sir Percivale, to attain which he
passed across the golden bridge that burned after him as he vanished in
the intolerable light of the Beatific Vision.
It was all so unreal, so phantasmal, that I was not surprised in the
least when, late in the evening after the ladies had gone to their
rooms, and the Cavaliere, Tom, and I were stretched out in chairs on the
terrace, smoking lazily under the multitudinous stars, the Cavaliere
said, "There is something I really must tell you both before you go to
bed, so that you may be spared any unnecessary alarm."
"You are going to say that the place is haunted," said Rendel, feeling
vaguely on the floor beside him for his glass of Amaro: "thank you; it
is all it needs."
The Cavaliere smiled a little: "Yes, that is just it. Sta. Catarina is
really haunted; and much as my reason revolts against the idea as
superstitious and savoring of priestcraft, yet I must acknowledge I see
no way of avoiding the admission. I do not presume to offer any
explanations, I only state the fact; and the fact is that to-night one
or other of you will, in all human--or unhuman--probability, receive a
visit from Sister Maddelena. You need not be in the least afraid, the
apparition is perfectly gentle and harmless; and, moreover, having seen
it once, you will never see it again. No one sees the ghost, or whatever
it is, but once, and that usually the first night he spends in the
house. I myself saw the thing eight--nine years ago, when I first bought
the place from the Marchese di Muxaro; all my people have seen it,
nearly all my guests, so I think you may as well be prepared."
"Then tell us what to expect," I said; "what kind of a ghost is this
"It is simple enough. Some time to-night you will suddenly awake and see
before you a Carmelite nun who will look fixedly at you, say distinctly
and very sadly, 'I cannot sleep,' and then vanish. That is all, it is
hardly worth speaking of, only some people are terribly frightened if
they are visited unwarned by strange apparitions; so I tell you this
that you may be prepared."
"This was a Carmelite convent, then?" I said.
"Yes; it was suppressed after the unification of Italy, and given to the
House of Muxaro; but the family died out, and I bought it. There is a
story about the ghostly nun, who was only a novice, and even that
unwillingly, which gives an interest to an otherwise very commonplace
and uninteresting ghost."
"I beg that you will tell it us," cried Rendel.
"There is a storm coming," I added. "See, the lightning is flashing
already up among the mountains at the head of the valley; if the story
is tragic, as it must be, now is just the time for it. You will tell it,
will you not?"
The Cavaliere smiled that slow, cryptic smile of his that was so
"As you say, there is a shower coming, and as we have fierce tempests
here, we might not sleep; so perhaps we may as well sit up a little
longer, and I will tell you the story."
The air was utterly still, hot and oppressive; the rich, sick odor of
the oranges just bursting into bloom came up from the valley in a gently
rising tide. The sky, thick with stars, seemed mirrored in the rich
foliage below, so numerous were the glow-worms under the still trees,
and the fireflies that gleamed in the hot air. Lightning flashed
fitfully from the darkening west; but as yet no thunder broke the heavy
The Cavaliere lighted another cigar, and pulled a cushion under his head
so that he could look down to the distant lights of the city. "This is
the story," he said.
"Once upon a time, late in the last century, the Duca di Castiglione was
attached to the court of Charles III., King of the Two Sicilies, down at
Palermo. They tell me he was very ambitious, and, not content with
marrying his son to one of the ladies of the House of Tuscany, had
betrothed his only daughter, Rosalia, to Prince Antonio, a cousin of the
king. His whole life was wrapped up in the fame of his family, and he
quite forgot all domestic affection in his madness for dynastic glory.
His son was a worthy scion, cold and proud; but Rosalia was, according
to legend, utterly the reverse,--a passionate, beautiful girl, wilful
and headstrong, and careless of her family and the world.
"The time had nearly come for her to marry Prince Antonio, a typical
roue of the Spanish court, when, through the treachery of a servant,
the Duke discovered that his daughter was in love with a young military
officer whose name I don't remember, and that an elopement had been
planned to take place the next night. The fury and dismay of the old
autocrat passed belief; he saw in a flash the downfall of all his hopes
of family aggrandizement through union with the royal house, and,
knowing well the spirit of his daughter, despaired of ever bringing her
to subjection. Nevertheless, he attacked her unmercifully, and, by
bullying and threats, by imprisonment, and even bodily chastisement, he
tried to break her spirit and bend her to his indomitable will. Through
his power at court he had the lover sent away to the mainland, and for
more than a year he held his daughter closely imprisoned in his palace
on the Toledo,--that one, you may remember, on the right, just beyond
the Via del Collegio dei Gesuiti, with the beautiful iron-work grilles
at all the windows, and the painted frieze. But nothing could move her,
nothing bend her stubborn will; and at last, furious at the girl he
could not govern, Castiglione sent her to this convent, then one of the
few houses of barefoot Carmelite nuns in Italy. He stipulated that she
should take the name of Maddelena, that he should never hear of her
again, and that she should be held an absolute prisoner in this
"Rosalia--or Sister Maddelena, as she was now--believed her lover dead,
for her father had given her good proofs of this, and she believed him;
nevertheless she refused to marry another, and seized upon the convent
life as a blessed relief from the tyranny of her maniacal father.
"She lived here for four or five years; her name was forgotten at court
and in her father's palace. Rosalia di Castiglione was dead, and only
Sister Maddelena lived, a Carmelite nun, in her place.
"In 1798 Ferdinand IV. found himself driven from his throne on the
mainland, his kingdom divided, and he himself forced to flee to Sicily.
With him came the lover of the dead Rosalia, now high in military honor.
He on his part had thought Rosalia dead, and it was only by accident
that he found that she still lived, a Carmelite nun. Then began the
second act of the romance that until then had been only sadly
commonplace, but now became dark and tragic. Michele--Michele
Biscari,--that was his name; I remember now--haunted the region of the
convent, striving to communicate with Sister Maddelena; and at last,
from the cliffs over us, up there among the citrons--you will see by the
next flash of lightning--he saw her in the great cloister, recognized
her in her white habit, found her the same dark and splendid beauty of
six years before, only made more beautiful by her white habit and her
rigid life. By and by he found a day when she was alone, and tossed a
ring to her as she stood in the midst of the cloister. She looked up,
saw him, and from that moment lived only to love him in life as she had
loved his memory in the death she had thought had overtaken him.
"With the utmost craft they arranged their plans together. They could
not speak, for a word would have aroused the other inmates of the
convent. They could make signs only when Sister Maddelena was alone.
Michele could throw notes to her from the cliff,--a feat demanding a
strong arm, as you will see, if you measure the distance with your
eye,--and she could drop replies from the window over the cliff, which
he picked up at the bottom. Finally he succeeded in casting into the
cloister a coil of light rope. The girl fastened it to the bars of one
of the windows, and--so great is the madness of love--Biscari actually
climbed the rope from the valley to the window of the cell, a distance
of almost two hundred feet, with but three little craggy resting-places
in all that height. For nearly a month these nocturnal visits were
undiscovered, and Michele had almost completed his arrangements for
carrying the girl from Sta. Catarina and away to Spain, when
unfortunately one of the sisters, suspecting some mystery, from the
changed face of Sister Maddelena, began investigating, and at length
discovered the rope neatly coiled up by the nun's window, and hidden
under some clinging vines. She instantly told the Mother Superior; and
together they watched from a window in the crypt of the chapel,--the
only place, as you will see to-morrow, from which one could see the
window of Sister Maddelena's cell. They saw the figure of Michele
daringly ascending the slim rope; watched hour after hour, the Sister
remaining while the Superior went to say the hours in the chapel, at
each of which Sister Maddelena was present; and at last, at prime, just
as the sun was rising, they saw the figure slip down the rope, watched
the rope drawn up and concealed, and knew that Sister Maddelena was in
their hands for vengeance and punishment,--a criminal.
"The next day, by the order of the Mother Superior, Sister Maddelena was
imprisoned in one of the cells under the chapel, charged with her guilt,
and commanded to make full and complete confession. But not a word would
she say, although they offered her forgiveness if she would tell the
name of her lover. At last the Superior told her that after this fashion
would they act the coming night: she herself would be placed in the
crypt, tied in front of the window, her mouth gagged; that the rope
would be lowered, and the lover allowed to approach even to the sill of
her window, and at that moment the rope would be cut, and before her
eyes her lover would be dashed to death on the ragged cliffs. The plan
was feasible, and Sister Maddelena knew that the Mother was perfectly
capable of carrying it out. Her stubborn spirit was broken, and in the
only way possible; she begged for mercy, for the sparing of her lover.
The Mother Superior was deaf at first; at last she said, 'It is your
life or his. I will spare him on condition that you sacrifice your own
life.' Sister Maddelena accepted the terms joyfully, wrote a last
farewell to Michele, fastened the note to the rope, and with her own
hands cut the rope and saw it fall coiling down to the valley bed far
"Then she silently prepared for death; and at midnight, while her lover
was wandering, mad with the horror of impotent fear, around the white
walls of the convent, Sister Maddelena, for love of Michele, gave up her
life. How, was never known. That she was indeed dead was only a
suspicion, for when Biscari finally compelled the civil authorities to
enter the convent, claiming that murder had been done there, they found
no sign. Sister Maddelena had been sent to the parent house of the
barefoot Carmelites at Avila in Spain, so the Superior stated, because
of her incorrigible contumacy. The old Duke of Castiglione refused to
stir hand or foot in the matter, and Michele, after fruitless attempts
to prove that the Superior of Sta. Catarina had caused the death, was
forced to leave Sicily. He sought in Spain for very long; but no sign of
the girl was to be found, and at last he died, exhausted with suffering
"Even the name of Sister Maddelena was forgotten, and it was not until
the convents were suppressed, and this house came into the hands of the
Muxaros, that her story was remembered. It was then that the ghost began
to appear; and, an explanation being necessary, the story, or legend,
was obtained from one of the nuns who still lived after the suppression.
I think the fact--for it is a fact--of the ghost rather goes to prove
that Michele was right, and that poor Rosalia gave her life a sacrifice
for love,--whether in accordance with the terms of the legend or not, I
cannot say. One or the other of you will probably see her to-night. You
might ask her for the facts. Well, that is all the story of Sister
Maddelena, known in the world as Rosalia di Castiglione. Do you like
"It is admirable," said Rendel, enthusiastically. "But I fancy I should
rather look on it simply as a story, and not as a warning of what is
going to happen. I don't much fancy real ghosts myself."
"But the poor Sister is quite harmless;" and Valguanera rose, stretching
himself. "My servants say she wants a mass said over her, or something
of that kind; but I haven't much love for such priestly hocus-pocus,--I
beg your pardon" (turning to me), "I had forgotten that you were a
Catholic: forgive my rudeness."
"My dear Cavaliere, I beg you not to apologize. I am sorry you cannot
see things as I do; but don't for a moment think I am hypersensitive."
"I have an excuse,--perhaps you will say only an explanation; but I live
where I see all the absurdities and corruptions of the Church."
"Perhaps you let the accidents blind you to the essentials; but do not
let us quarrel to-night,--see, the storm is close on us. Shall we go
The stars were blotted out through nearly all the sky; low, thunderous
clouds, massed at the head of the valley, were sweeping over so close
that they seemed to brush the black pines on the mountain above us. To
the south and east the storm-clouds had shut down almost to the sea,
leaving a space of black sky where the moon in its last quarter was
rising just to the left of Monte Pellegrino,--a black silhouette against
the pallid moonlight. The rosy lightning flashed almost incessantly, and
through the fitful darkness came the sound of bells across the valley,
the rushing torrent below, and the dull roar of the approaching rain,
with a deep organ point of solemn thunder through it all.
We fled indoors from the coming tempest, and taking our candles, said
"good-night," and sought each his respective room.
My own was in the southern part of the old convent, giving on the
terrace we had just quitted, and about over the main doorway. The
rushing storm, as it swept down the valley with the swelling torrent
beneath, was very fascinating, and after wrapping myself in a
dressing-gown I stood for some time by the deeply embrasured window,
watching the blazing lightning and the beating rain whirled by fitful
gusts of wind around the spurs of the mountains. Gradually the violence
of the shower seemed to decrease, and I threw myself down on my bed in
the hot air, wondering if I really was to experience the ghostly visit
the Cavaliere so confidently predicted.
I had thought out the whole matter to my own satisfaction, and fancied I
knew exactly what I should do, in case Sister Maddelena came to visit
me. The story touched me: the thought of the poor faithful girl who
sacrificed herself for her lover,--himself, very likely, quite
unworthy,--and who now could never sleep for reason of her unquiet soul,
sent out into the storm of eternity without spiritual aid or counsel. I
could not sleep; for the still vivid lightning, the crowding thoughts of
the dead nun, and the shivering anticipation of my possible visitation,
made slumber quite out of the question. No suspicion of sleepiness had
visited me, when, perhaps an hour after midnight, came a sudden vivid
flash of lightning, and, as my dazzled eyes began to regain the power of
sight, I saw her as plainly as in life,--a tall figure, shrouded in the
white habit of the Carmelites, her head bent, her hands clasped before
her. In another flash of lightning she slowly raised her head and looked
at me long and earnestly. She was very beautiful, like the Virgin of
Beltraffio in the National Gallery,--more beautiful than I had supposed
possible, her deep, passionate eyes very tender and pitiful in their
pleading, beseeching glance. I hardly think I was frightened, or even
startled, but lay looking steadily at her as she stood in the beating
Then she breathed, rather than articulated, with a voice that almost
brought tears, so infinitely sad and sorrowful was it, "I cannot sleep!"
and the liquid eyes grew more pitiful and questioning as bright tears
fell from them down the pale dark face.
The figure began to move slowly towards the door, its eyes fixed on mine
with a look that was weary and almost agonized. I leaped from the bed
and stood waiting. A look of utter gratitude swept over the face, and,
turning, the figure passed through the doorway.
Out into the shadow of the corridor it moved, like a drift of pallid
storm-cloud, and I followed, all natural and instinctive fear or
nervousness quite blotted out by the part I felt I was to play in giving
rest to a tortured soul. The corridors were velvet black; but the pale
figure floated before me always, an unerring guide, now but a thin mist
on the utter night, now white and clear in the bluish lightning through
some window or doorway.
Down the stairway into the lower hall, across the refectory, where the
great frescoed Crucifixion flared into sudden clearness under the fitful
lightning, out into the silent cloister.
It was very dark. I stumbled along the heaving bricks, now guiding
myself by a hand on the whitewashed wall, now by a touch on a column wet
with the storm. From all the eaves the rain was dripping on to the
pebbles at the foot of the arcade: a pigeon, startled from the capital
where it was sleeping, beat its way into the cloister close. Still the
white thing drifted before me to the farther side of the court, then
along the cloister at right angles, and paused before one of the many
doorways that led to the cells.
A sudden blaze of fierce lightning, the last now of the fleeting trail
of storm, leaped around us, and in the vivid light I saw the white face
turned again with the look of overwhelming desire, of beseeching pathos,
that had choked my throat with an involuntary sob when first I saw
Sister Maddelena. In the brief interval that ensued after the flash, and
before the roaring thunder burst like the crash of battle over the
trembling convent, I heard again the sorrowful words, "I cannot sleep,"
come from the impenetrable darkness. And when the lightning came again,
the white figure was gone.
I wandered around the courtyard, searching in vain for Sister Maddelena,
even until the moonlight broke through the torn and sweeping fringes of
the storm. I tried the door where the white figure vanished: it was
locked; but I had found what I sought, and, carefully noting its
location, went back to my room, but not to sleep.
In the morning the Cavaliere asked Rendel and me which of us had seen
the ghost, and I told him my story; then I asked him to grant me
permission to sift the thing to the bottom; and he courteously gave the
whole matter into my charge, promising that he would consent to
I could hardly wait to finish breakfast; but no sooner was this done
than, forgetting my morning pipe, I started with Rendel and the
Cavaliere to investigate.
"I am sure there is nothing in that cell," said Valguanera, when we came
in front of the door I had marked. "It is curious that you should have
chosen the door of the very cell that tradition assigns to Sister
Maddelena; but I have often examined that room myself, and I am sure
that there is no chance for anything to be concealed. In fact, I had the
floor taken up once, soon after I came here, knowing the room was that
of the mysterious Sister, and thinking that there, if anywhere, the
monastic crime would have taken place; still, we will go in, if you
He unlocked the door, and we entered, one of us, at all events, with a
beating heart. The cell was very small, hardly eight feet square. There
certainly seemed no opportunity for concealing a body in the tiny place;
and although I sounded the floor and walls, all gave a solid, heavy
answer,--the unmistakable sound of masonry.
For the innocence of the floor the Cavaliere answered. He had, he said,
had it all removed, even to the curving surfaces of the vault below; yet
somewhere in this room the body of the murdered girl was concealed,--of
this I was certain. But where? There seemed no answer; and I was
compelled to give up the search for the moment, somewhat to the
amusement of Valguanera, who had watched curiously to see if I could
solve the mystery.
But I could not forget the subject, and towards noon started on another
tour of investigation. I procured the keys from the Cavaliere, and
examined the cells adjoining; they were apparently the same, each with
its window opposite the door, and nothing-- Stay, were they the same? I
hastened into the suspected cell; it was as I thought: this cell, being
on the corner, could have had two windows, yet only one was visible, and
that to the left, at right angles with the doorway. Was it imagination?
As I sounded the wall opposite the door, where the other window should
be, I fancied that the sound was a trifle less solid and dull. I was
becoming excited. I dashed back to the cell on the right, and, forcing
open the little window, thrust my head out.
It was found at last! In the smooth surface of the yellow wall was a
rough space, following approximately the shape of the other cell
windows, not plastered like the rest of the wall, but showing the shapes
of bricks through its thick coatings of whitewash. I turned with a gasp
of excitement and satisfaction: yes, the embrasure of the wall was deep
enough; what a wall it was!--four feet at least, and the opening of the
window reached to the floor, though the window itself was hardly three
feet square. I felt absolutely certain that the secret was solved, and
called the Cavaliere and Rendel, too excited to give them an explanation
of my theories.
They must have thought me mad when I suddenly began scraping away at the
solid wall in front of the door; but in a few minutes they understood
what I was about, for under the coatings of paint and plaster appeared
the original bricks; and as my architectural knowledge had led me
rightly, the space I had cleared was directly over a vertical joint
between firm, workmanlike masonry on one hand, and rough amateurish work
on the other, bricks laid anyway, and without order or science.
Rendel seized a pick, and was about to assail the rude wall, when I
"Let us be careful," I said; "who knows what we may find?" So we set to
work digging out the mortar around a brick at about the level of our
How hard the mortar had become! But a brick yielded at last, and with
trembling fingers I detached it. Darkness within, yet beyond question
there was a cavity there, not a solid wall; and with infinite care we
removed another brick. Still the hole was too small to admit enough
light from the dimly illuminated cell. With a chisel we pried at the
sides of a large block of masonry, perhaps eight bricks in size. It
moved, and we softly slid it from its bed.
Valguanera, who was standing watching us as we lowered the bricks to the
floor, gave a sudden cry, a cry like that of a frightened
woman,--terrible, coming from him. Yet there was cause.
Framed by the ragged opening of the bricks, hardly seen in the dim
light, was a face, an ivory image, more beautiful than any antique bust,
but drawn and distorted by unspeakable agony: the lovely mouth half
open, as though gasping for breath; the eyes cast upward; and below,
slim chiselled hands crossed on the breast, but clutching the folds of
the white Carmelite habit, torture and agony visible in every tense
muscle, fighting against the determination of the rigid pose.
We stood there breathless, staring at the pitiful sight, fascinated,
bewitched. So this was the secret. With fiendish ingenuity, the rigid
ecclesiastics had blocked up the window, then forced the beautiful
creature to stand in the alcove, while with remorseless hands and iron
hearts they had shut her into a living tomb. I had read of such things
in romance; but to find the verity here, before my eyes--
Steps came down the cloister, and with a simultaneous thought we sprang
to the door and closed it behind us. The room was sacred; that awful
sight was not for curious eyes. The gardener was coming to ask some
trivial question of Valguanera. The Cavaliere cut him short. "Pietro, go
down to Parco and ask Padre Stefano to come here at once." (I thanked
him with a glance.) "Stay!" He turned to me: "Signore, it is already two
o'clock and too late for mass, is it not?"
Valguanera thought a moment, then he said, "Bring two horses; the Signor
Americano will go with you,--do you understand?" Then, turning to me,
"You will go, will you not? I think you can explain matters to Padre
Stefano better than I."
"Of course I will go, more than gladly." So it happened that after a
hasty luncheon I wound down the mountain to Parco, found Padre Stefano,
explained my errand to him, found him intensely eager and sympathetic,
and by five o'clock had him back at the convent with all that was
necessary for the resting of the soul of the dead girl.
In the warm twilight, with the last light of the sunset pouring into the
little cell through the window where almost a century ago Rosalia had
for the last time said farewell to her lover, we gathered together to
speed her tortured soul on its journey, so long delayed. Nothing was
omitted; all the needful offices of the Church were said by Padre
Stefano, while the light in the window died away, and the flickering
flames of the candles carried by two of the acolytes from San Francesco
threw fitful flashes of pallid light into the dark recess where the
white face had prayed to Heaven for a hundred years.
Finally, the Padre took the asperge from the hands of one of the
acolytes, and with a sign of the cross in benediction while he chanted
the Asperges, gently sprinkled the holy water on the upturned face.
Instantly the whole vision crumbled to dust, the face was gone, and
where once the candlelight had flickered on the perfect semblance of the
girl dead so very long, it now fell only on the rough bricks which
closed the window, bricks laid with frozen hearts by pitiless hands.
But our task was not done yet. It had been arranged that Padre Stefano
should remain at the convent all night, and that as soon as midnight
made it possible he should say the first mass for the repose of the
girl's soul. We sat on the terrace talking over the strange events of
the last crowded hours, and I noted with satisfaction that the Cavaliere
no longer spoke of the Church with that hardness, which had hurt me so
often. It is true that the Padre was with us nearly all the time; but
not only was Valguanera courteous, he was almost sympathetic; and I
wondered if it might not prove that more than one soul benefited by the
untoward events of the day.
With the aid of the astonished and delighted servants, and no little
help as well from Signora Valguanera, I fitted up the long cold Altar in
the chapel, and by midnight we had the gloomy sanctuary beautiful with
flowers and candles. It was a curiously solemn service, in the first
hour of the new day, in the midst of blazing candles and the thick
incense, the odor of the opening orange-blooms drifting up in the fresh
morning air, and mingling with the incense smoke and the perfume of
flowers within. Many prayers were said that night for the soul of the
dead girl, and I think many afterwards; for after the benediction I
remained for a little time in my place, and when I rose from my knees
and went towards the chapel door, I saw a figure kneeling still, and,
with a start, recognized the form of the Cavaliere. I smiled with quiet
satisfaction and gratitude, and went away softly, content with the chain
of events that now seemed finished.
The next day the alcove was again walled up, for the precious dust could
not be gathered together for transportation to consecrated ground; so I
went down to the little cemetery at Parco for a basket of earth, which
we cast in over the ashes of Sister Maddelena.
By and by, when Rendel and I went away, with great regret, Valguanera
came down to Palermo with us; and the last act that we performed in
Sicily was assisting him to order a tablet of marble, whereon was
carved this simple inscription:--
HERE LIES THE BODY OF
ROSALIA DI CASTIGLIONI,
IS WITH HIM WHO GAVE IT.
To this I added in thought:--
"Let him that is without sin among you cast the first stone."