1050. A broom falling across the doorway, or chairs set crosswise, is the sign of a storm. Stratham, N.H. 1051. If a cloud and wind are coming, the wind will last. Trinity Bay, N.F. 1052. If a cloud looks as if it had ... Read more of Wind And Storm at Superstitions.caInformational Site Network Informational

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By The Shrine Of Saint Cuthbert

The bells were ringing to evensong in the great cathedral dedicated to
Saint Cuthbert, that stands like a fortress on its rock above the
murmuring Wear--

'Half house of God, half castle 'gainst the Scot'--

in the windy dusk of a November evening.

The people of the saint, however--the 'Haliwer folc,' the 'folk of the
Holy Man'--were few in attendance that afternoon, and the great nave
seemed very empty as I sat down in a seat in front of the 'Galilee'
beside the north door of entry.

I looked about me and admired the mighty Norman pillars diapered and
fluted with exceeding skill by the great master builders of old, who
built to, even as their great duke swore by, the 'Splendour of God.' My
eye wandered upward and rested upon the great chevrons resembling
sword-cuts that seemed deep-hacked within the rounded arches of the
Triforium. Thence onward my gaze fluttered like a butterfly, and rested
upon a leering corbel, which seemed to scoff at priest and priest-craft
with protruding tongue. The mighty stone roof soaring aloft--a ship's
keel upturned--drew my eye eastward to the choir; there on the great
east window, rose-shaped and many-coloured, the invading dusk gathered
like water-drops upon the panes, and wove its dun mantle over them. The
anthem now pealed along the roof, lapping capitals, corbels, and pillars
in a tide of sound that swept unresisted through the wide spaces of the

As the echoing song grew fainter, and ebbed away into the twilight
shadows, my gaze returned to my immediate surroundings, and rested
unconcernedly upon a man sitting a seat or two in front of me, beside
one of the massive piers. He seemed to be in a most distressed and
nervous condition, for he peered about him with an evident alarm, which
was pitiful to witness. As he turned his face about I saw it was haggard
with fear and sorrow, or remorse; his hair was matted, and beads of
sweat were thick upon his brow.

It was as if he were terrified of impending danger. Yet what could he be
afraid of in the great calm of the solemn cathedral? The benediction had
been given, and the sparse congregation had now risen and was slowly
departing, yet he rose not, but seemed to be hiding from view as he
crouched behind the form in front of him, and edged his way slowly
within the shadow of the heavy pier to his left hand.

I sat on listening to the voluntary, and it held me by its strangeness.
I knew that the Dean and Chapter's organist was away on holiday, and I
wondered who the strange player might be who was setting forth his own
soul in the notes of the pealing organ. He sang of fellowship, of
comradeship in ancient days through stress of adventure and deadly
combat; then with organ sobs that shook the heart, of death and the
infinite loneliness of death, and of the inappeasable sorrow of the
survivor lamenting his Jonathan. A pause of black silence. Then brokenly
a little sough of life began to re-arise--a growth of hope--the fierce
determination of revenge--quickening with flame--breaking into triumph.

And now as the lights were being turned out, and gloom came rushing in
upon the empty spaces of the cathedral I saw the unhappy figure shift
indecisively as he rose from his seat in front of me, glance hurriedly
about as if for a way of escape, then moving unsteadily round the pier,
to my surprise he shuffled off in the direction of the organ. The music
seemed to fascinate him, to paralyse his will, even as the sphex
paralyses its victim with its sting.

The organist was now engaged upon the coda of his fugue; the former
motifs were rehearsed--love, sorrow, and revenge. Triumph resounded from
the loft when I heard above the quickening notes a sudden patter of
heels across the nave; then a pitiful drumming of fists upon the barred
door that led into the east corner of the cloisters. Knowing that escape
that way was now impossible for the distracted man, and feeling pity for
him, I crossed the nave and followed after him in the gloom. As I drew
near I heard him flee again--down the south aisle to the other door of
the cloisters. Here once more he shook unavailingly upon the latch, and
drummed pitifully with his fists. There was a scrabbling with nails on
the oaken door--then a cry of anguish smote on my ear. An awful terror
evidently had him in grip.

He rushed wildly on again--on--on to the only remaining door of escape
into the northern close. Suddenly the music stopped on a throb of joy.
The shock caused me to halt. As I started again to walk towards the door
I heard no longer the miserable patter of feet in front of me. I was
just about to reach out a hand to feel for the latch in the darkness
when I stumbled over an obstacle on the pavement. I knelt down and felt
about with my hands: I found a man's body lying inert at my feet.

God in Heaven! The darkness seemed to buffet me upon the ears. I heard a
vague cry escape my lips, for the fugitive's hand had dropped from mine
with a thud upon the stone. The man was dead.

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